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Manual
Version History
New in version 2.5.0
Photoshop Plugins are now scriptable (e.g. for actions)
Bug fix in After Effects 17.x or newer (black canvas)
Bug fixed that noise in 16 bit images was amplified in the Photoshop Plugin preview
Controls are now displayed correctly when a scrollbar is visible on small displays
No running after when moving the controls very fast
New in version 2.3.3
Mac installer is notarized by Apple for macOS Catalina (re-activation of the plugin is required)
New in version 2.3.2
Photoshop support
Alpha channels was not always applied correctly
Opacity of the top layer was not always 100%
Fixed issues with the trial overlay in combination with footage with different bit depths
Fixed issues when stacked video footage had different resolutions
New in version 2.3.1
New in version 2.3.0
Protect Skin Tone control protects skin tones
Boost control saturates or desaturates the skin tones
Skin Tone Hue control adjusts the skin color
Auto-Radius function
Contrast, Chroma and Luminance controls are also available in the plugin versions
New in version 2.0.1
Color management and ICC-profile support
2-Way Preset for Split Toning
Support for additional image file formats
Undo/Redo
Additional number fields for Contrast-, Chroma- and Luminance Slider
Faster image calculation algorithms
Presets will now be saved in the 'Application Support' folder
Improved license regognition in offline mode
Navigator area can be collapsed
Multilingual user interface with tooltips
Retina display support on Windows 10
Minor bugfixes
In the Media
Color Cone v2 + Plugin
cinema5D Online (EN)
Color Cone
Profi Foto 1-2 2016 (DE)
Customer reviews
Perrier Simons
Photographer
'Color Cone offers really fantastic possibilities for creating looks.'
Features:
Color Cone is an entirely new concept for color correction as well as the creation of looks. This software is powerful as well as intuitive and it is able to deliver impressive results with a few clicks. Color Cone is based on an HCL–color model which is visualized in the form of a bicone (which has also given Color Cone it's name). The HCL– color model is not as common or as widespread as for example the HSV model but much more suitable for photo editing. It offers several advantages since shadows and highlights possess almost no chroma in this color model. 100% black and 100% white generally have no saturation even if other models allow for this. Even identical colors in various positions as they occur in the upper and lower part of a color cylinder are excluded in the HCL-model. In addition you can subsequently restore and adjust skin tones if they were tinted accidentally.
Through a clever transformation from the source to the target colors with Picture Instruments' own Color Warp technology even drastic changes in color even in 8- bit images can still look very smooth. Switchresx 4 5 2 download free.
Enough of the theory!
To create a look or correct colors you can define one or several points. Each of these points has a source and a target color value as well as a radius defining how great the effects should be to the surrounding colors. In this way very specific edits can be done using a very small radius whereas a bigger radius can help you create a desired atmosphere in an image. To avoid mixing or canceling out the effects of several control points by overlapping, Color Cone has a useful automatic radius function.
Beyond compare 4 3 3 equals. It's very hard to put in words how well this actually works. So why don't you download test version of Color Cone right now and create a fantastic look today.
Overview:
Creating a look
Color correction
Color Warp technology for smooth transitions
Color grading for videos
Reconciling Mixed White Balance Scenarios
Subsequently restoring and adjusting skin tones
Auto-Radius function
Differences between the standalone version and the plugin
Special characteristics of the Adobe Premiere / After Effects / FCPX plugin:
Color Cone opens within the host and can be added to a clip as an effect.
Only a limited amount of color points are available within one cone yet any number of plugin instances can be used.
All parameters can be animated via keyframes in After Effects, Premiere Pro and Final Cut Pro X, just like native effects.
All plugin settings are saved within the project.
Colors can only be adjusted with the controls instead of interactively moving the points within the cone.
Plugin presets can be saved within the host.
Color Cone standalone offers the following additional features:
3D LUT export, handover of looks to Unlimited Filters, histogram, RGB-clipping overlay and a preset management.
Manual
Version History
New in version 2.5.0
Photoshop Plugins are now scriptable (e.g. for actions)
Bug fix in After Effects 17.x or newer (black canvas)
Bug fixed that noise in 16 bit images was amplified in the Photoshop Plugin preview
Controls are now displayed correctly when a scrollbar is visible on small displays
No running after when moving the controls very fast
New in version 2.3.3
Mac installer is notarized by Apple for macOS Catalina (re-activation of the plugin is required)
New in version 2.3.2
Photoshop support
Alpha channels was not always applied correctly
Opacity of the top layer was not always 100%
Fixed issues with the trial overlay in combination with footage with different bit depths
Fixed issues when stacked video footage had different resolutions
New in version 2.3.1
Picture Instruments Color Cone Standalone Pro 2 0 1 Putter In Golf
New in version 2.3.0
Protect Skin Tone control protects skin tones
Boost control saturates or desaturates the skin tones
Skin Tone Hue control adjusts the skin color
Auto-Radius function
Contrast, Chroma and Luminance controls are also available in the plugin versions
New in version 2.0.1
Color management and ICC-profile support
2-Way Preset for Split Toning
Support for additional image file formats
Undo/Redo
Additional number fields for Contrast-, Chroma- and Luminance Slider
Faster image calculation algorithms
Presets will now be saved in the 'Application Support' folder
Improved license regognition in offline mode
Navigator area can be collapsed
Multilingual user interface with tooltips
Retina display support on Windows 10
Minor bugfixes
In the Media
Color Cone v2 + Plugin
cinema5D Online (EN)
Color Cone
Profi Foto 1-2 2016 (DE)
Customer reviews
Perrier Simons
Photographer
'Color Cone offers really fantastic possibilities for creating looks.'
Picture Instruments Color Cone Standalone Pro 2 0 1 Putter White
Picture Instruments Color Cone Standalone Pro 2 0 1 Putter Review
Features:
Color Cone is an entirely new concept for color correction as well as the creation of looks. This software is powerful as well as intuitive and it is able to deliver impressive results with a few clicks. Color Cone is based on an HCL–color model which is visualized in the form of a bicone (which has also given Color Cone it's name). The HCL– color model is not as common or as widespread as for example the HSV model but much more suitable for photo editing. It offers several advantages since shadows and highlights possess almost no chroma in this color model. 100% black and 100% white generally have no saturation even if other models allow for this. Even identical colors in various positions as they occur in the upper and lower part of a color cylinder are excluded in the HCL-model. In addition you can subsequently restore and adjust skin tones if they were tinted accidentally.
Through a clever transformation from the source to the target colors with Picture Instruments' own Color Warp technology even drastic changes in color even in 8- bit images can still look very smooth.
Enough of the theory!
To create a look or correct colors you can define one or several points. Each of these points has a source and a target color value as well as a radius defining how great the effects should be to the surrounding colors. In this way very specific edits can be done using a very small radius whereas a bigger radius can help you create a desired atmosphere in an image. To avoid mixing or canceling out the effects of several control points by overlapping, Color Cone has a useful automatic radius function.
It's very hard to put in words how well this actually works. So why don't you download test version of Color Cone right now and create a fantastic look today.
Overview:
Creating a look
Color correction
Color Warp technology for smooth transitions
Color grading for videos
Reconciling Mixed White Balance Scenarios
Subsequently restoring and adjusting skin tones
Auto-Radius function
Differences between the standalone version and the plugin
Special characteristics of the Adobe Premiere / After Effects / FCPX plugin:
Color Cone opens within the host and can be added to a clip as an effect.
Only a limited amount of color points are available within one cone yet any number of plugin instances can be used.
All parameters can be animated via keyframes in After Effects, Premiere Pro and Final Cut Pro X, just like native effects.
All plugin settings are saved within the project.
Colors can only be adjusted with the controls instead of interactively moving the points within the cone.
Plugin presets can be saved within the host.
Color Cone standalone offers the following additional features:
Picture Instruments Color Cone Standalone Pro 2 0 1 Putter Shafts
3D LUT export, handover of looks to Unlimited Filters, histogram, RGB-clipping overlay and a preset management.